#i really had thoughts about love i guess

[egophiliac]

redesigning my headcanon for Sebek's parents, based on important new information (SCALES)

(you can't see it but they're both wearing crocs)

[sorrelpaws]

They make such a nice couple. The king and queen are pretty nice too. Heheheh.

[black-and-yellow]

[mars-ipan]

y’know i was talking about genderfluidity and trying to find a way to make my body as satisfying as possible for me with my mom and i mentioned not wanting top surgery but instead wanting to get tattoos of the scars and she worried about it coming off as offensive to other trans folks or people who’ve had mastectomies. SO i figured i’d ask the people of these communities myself!

*a realistic tattoo would be designed to look as accurate to actual scars as possible, whereas a stylized tattoo would be more cartoony- think the “eyelash/starburst” scars you see in a lot of transmasc art

reblogging for sample size would help me out a ton with gauging community opinions and such but obvi there’s no pressure :] just looking to know how ppl feel! thanks in advance folks

[the-eclectic-wonderer]

Requirements to be in the coven of Agatha Harkness, most infamous witch in the world:

gay

[iceclew]

Did I accidently write more than just a few lines of dialogue for this scene?... *shyly fumbling with fingers* 🥹👉👈 maybe...

Sorry, I suck at words and this isn't betaread nor properly proofread and I am not native english, I'm very sorry in advance...

full story down below

(Chappel Roan - Love me Anyway)

(Benson Boone - Slow it Down)

"VICE-CAPTAIN!!!!"

The tiny moving plush-like thing in his hand apparently started screaming as well now.

"WHY ALWAYS MEEE!?!?"

What looked like the chibi mini-version of the Defence Force's biggest trump card, struggled to hold on his thumb, kicking around those little feet of his.

"Well, now I'm quite curious abut THAT story..."

"I CAN'T TURN BACK AND I AM T I N Y !!! (˚ ˃̣̣̥⌓˂̣̣̥ )"

"I see that... How'd you even get in here?"

Tiny #8 stopped fidgeting a bit. Instead two unproportionally big round dark eyes goggled at him. It was undeniably adorable to look at. "Well after THIS happened, I couldn't grab my phone on the table anymore, so I ran around to find someone, but I figured Narumi and Kikoru would very likely take advantage of my situation and do something stupid with me."

"Oh yeah, they definitely would and I get why, honestly."

"So I ran around to find you, YOU HAVE NO IDEA HOW BIG THE 1st DIVISION IS, WHEN YOU'RE LIKE THIS, OK?! And then I saw the slightly opened window and just crawled in... ༼☯﹏☯༽"

"Wait... you know where my temporary place in the 1st Division is located? Why?"

"....Coincidence? (*ﾟｰﾟ) "

He sighed. "Well just when you think you saw everything...Kafka Hibino enters the stage..."

"SIR, WHAT SHOULD I DO?? WHY ARE THESE THINGS ALWAYS HAPPENING TO ME??"

"you really want me to answer that, bud?", he barely tried to hide the undertone of his voice, which left the small creature on the palm of his hand baffled for a second.

"Wha-? HEY, MEAN!! What are you on about!?"（＞д＜）

"Yeah, maybe, I don't know STOP CHANGING in general, like I told you f.ex.. or maybe stick to your training routine without going OVERBOARD on a regular basis? How 'bout that?"

The big dark round eyes got even bigger with every word spoken.

"Yeah, don't look at me like that, I might coincidently got wind of stuff, you know?"

His unexpectedly open and emotional response threw Kafka off. For a second he forgot about his *tiny* main problem, his mind jumped between confused and worried and he couldn't comprehend with his reaction for now. After some awkward seconds in silence, Hoshina's tone grew significantly calmer, but still sort of off to his usual self-assured expression. "Well at least this time you're actually telling me about stuff that bothers you, huh?"

Silence again. While hanging from the palm of his Vice-Captain's hand Kafka realized something (besides his size) was different. His senses grew more aware of his surroundings to find answers.

"Are... are you drunk, sir?"

Besides the slight scent of alcohol in the air, and the - well quite obvious - bottle of sake on the table, the startled twitch on his face confirmed Kafka's guess was right. Other than the sake the only other thing on the table were some snacks. Another odd thing to Kafka, who was used to see Hoshina's surroundings stuffed with documents, loose papers, books and other work related things.

The silence lingered around them uncomfortably. To Kafka's suprise Hoshina was seemingly struggling with words. A look on his face Kafka couldn't remember seeing before. Now his mind definitely jumped to 'worried'.

Hoshina tried to mimic an insulted face and looked away. "A little tippsy at most... I'm off-duty for tonight.." Besides the slightly blushed nose and cheeks, Kafka now noticed some dark circles under red eyes. "..and despite my gut telling me better, I assumed I probably won't be needed anymore today, and that I could hang loose a little. It's not my Division after all, there's another Captain and Vice-Captain in charge here. So I might as well make use of that chance... Should have known, it would end up that way or another.. " He smiled a bit and Kafkas felt like his heart clenching from the sight. "Although I definitely should have placed my bet on YOU to be the reason for that." He chuckled lightly, while his expressions grew somewhat softer.

"I'm sorry, Sir."

"Nah, it's fine. As if I didn't get used to your-"

"I never put much thought to it, but ever since the Defence Force started preparing for the big counter attack on #9 your workload must've at least doubled in the 3rd and 1st Division.. and here I am still taking over the rest of your time as well..."

"Don't like where this is going, officer... You're not starting pitying me, are ya?"

"No I-...I just feel like.. I didn't realize, and there for not appreciated your work enough.." Silence. "And also.." The tiny kaiju had his look glued to the floor in front of him for a while now. "I know you told me to brush it off earlier but,... I truly regret ... not telling you about... #8 n'stuff.. I'm sorry... I'd change that if I could.."

A small plushy-sized Kaiju was gently put back on the ground again. Hoshina scratched his nose for a second, before bending far back to the other side of the room. He grabbed for his smartphone that was burried in piles of carelessly pushed aside documents.

"As I said. You're here now, aren't ya?" When he got his phone he chose to stay laid down on the floor and started typing something on the lightened screen.

A tiny transformed Kafka carefully made his way around and walked up on eye-level with Hoshina's face again. Once again overwhelmed by his current state of being, he let himself fall back on the floor and sat on the ground. "So... what should I do?"

"The first thing WE do is trying to make some calls. But since you seem to be in no life-threatening condition, we might have to wait 'till tomorrow for a first medical examination. If that's the case you'll stay, and I get you down to the lab first thing in the morning."

"Wait!" The tiny Kaiju made a suprisingly far jump right up to Hoshina's chest and pressed the (for him very big) red hang-up button on the screen with both paws. "You're right about that, I won't die this second from being tiny, so we might as well wait for tomorrow."

The questioning look on the opposite's face made a tiny Kafka look away and scratch his neck shyly. "Well, since you're ... I dunno,... I feel like, I can't have you be seen d-dru- .. like this by other officials of the 1st Division, b-because of me..."

A finger poked his forehead, which caused a tiny being like him to fall right back landing on warm soft fabric of Hoshina's shirt.

"Idiot. But you might be right about that."

[sallykie]

Current mood: hallucinating a version of httyd3 that doesn't suck.

[gnomeantics]

STARKID TRENDING CATEGORY 5 AUTISM EVENT

[prolibytherium]

I never touched it but I feel like i only ever hear positive things said about song of achilles.. in (rough strokes at least) what makes it dogshit to you?

Okay it's been a while since I actually read it so some of this might not be spot on accurate. Sorry if at any point I say 'the book never does xyz' and it actually does once or twice but I think my underlying criticisms are accurate

-Patroclus is made into like this soft gentle tender quivering little yaoi boy. In the source text, he's shown as compassionate and moved by the suffering of his own men (and apparently having some medical skill, tending to the wounded in the camp), but very much invested n combat and very, very good at it (pages worth of descriptions of the guys he's killing left and right). In this, the arguably more complex character from this 8th century BC text is flattened into Being A Healer, he doesn't want to go to war he just wants to help people, he only goes because Achilles has to but he doesn't want to fight he's a HEALER he's a gentle lover NOT A FIGHTER who just wants to help he just wants to help everyone around him he HEALS while Achilles is a doomed warrior who is so good at fighting and KILLING its a DICHOTOMY GUYS!!!LIKE THE BEAUTIFUL SUN AND MOON DOOMED LOVERS SO SAD patocluse HEALER . (I Think he's specifically characterized as being BAD at fighting but might be misremembering)

-I don't remember much about Achilles' characterization I think it just makes him less of a jackass while not adding anything of interest and levels out into being mad boring.

-Not getting into the literal millenias old debate whether the mythological characters Achilles and Patroclus were being characterized as some type of lover by the original oral sources of the Iliad or its Homeric writers. We will never know. We don't even know what (if any) culturally accepted conventions of male homosexuality existed in bronze age Greece (we know much more about their descendants). But there are some interesting elements of their characterization in this direction, with how unconventional their relationship is WITHIN the text itself- Patroclus is described as cooking for Achilles and his guests (very specifically a woman/wife's job), Achilles chides Patroclus like a father, but there's also scene where Achilles' mourning of him directly echoes a passage of Hector's wife mourning her husband, Patroclus is explicitly stated to Achilles' elder, and is overall treated as his equal or near-equal, closest confidant and most beloved friend (to the point that pederastic classical Greeks would debate over who was erastes (older authority figure lover) and who was eromenos (adolescent 'beloved')- many took it as a given that this text depicted their present-day cultural norms of homosexual behavior but it existed so Outside of these norms that it had to be debated who was who). Their relationship is non-standard both within the text and to the descendants of the civilization that wrote them.

Basically what I'm saying is this book had opportunities to like, explore the unconventionality of the relationship (being presented here as explicitly lovers), explore the dynamics of why Patroclus wants to do 'women's work' (besides being a tenderhearted softboy), the weird dynamics where they take on paternal roles to each other but also roles of wives, how they feel about being this way, and just kind of Doesn't. Which I guess isn't an intrinsic fault (because it omits much of what I just talked about to begin with). it's just like.... Lame. This book takes jsut abandons everything interesting about the source text in favor of flattening it into bland Doomed Yaoi.

-The conflict that sets off the core story of the Iliad is Achilles and Agamemnon fighting over Briseis, an enslaved Trojan woman taken by Achilles as a war-trophy, Achilles spends most of the story moping because he was dishonored by his 'trophy' being taken. Achilles and Patroclus and everyone else are raping their captives, all the women in the story are either captured Trojans (or in the case of the free women within the walls of Troy, soon to be enslaved, and are slave owners themselves). Slavery as an institution and extreme patriarchal conventions are innate to the text and reflective of the context in which it was developed. You cannot avoid it.

But obviously you can't have your soft yaoi boys doing this, so the author has them capturing women to Protect Them from the other men. Their slaves are UNDER THEIR PROTECTION and VERY SAFE (and they might even Like And Befriend Them but I might be misremembering that. Briseis does though). Our heroes have apparently absorbed none of the ideals of the culture they exist in and the author seems to think "they're gay and aren't sexually attracted to their captives" would translate to them being outright benevolent (also as if wartime sexual violence is just about attraction and not part of a wider spectrum of violent acts to dehumanize and brutalize an accepted 'enemy')

In the source text, Briseis mourns Patroclus as being the kindest to her of her captors, who tried to get her a slightly better outcome by getting her married to Achilles (which probably would be the Least Bad of all possible outcomes for a woman in that situation, becoming a legal wife instead of a slave), and wonders what will happen to her now that he's gone. This is a really really sad, horrible, and compelling dynamic which could be fleshed out in very interesting ways but is instead is tossed entirely aside in favor of them being Besties. Like brother and sister.

All of the above pisses me off so much. If you don't want to engage in the icky parts of ancient/bronze age Greece then don't write a retelling of a story taking place in bronze age Greece. I'm not gonna get mad at children's adaptations of Greek myths or silly fun stories loosely based on them for omitting the rape and slavery but it is SO fundamental to the Iliad. If you're not willing to handle it, either fully omit it or better yet set your Iliad inspired yaoi in an invented swords-and-sandals setting where you can have all your heartbreaking tragic doomed lovers plot beats and not have to clumsily write around the women they're brutalizing.

-The author didn't seem to know what to do with Thetis and she made her just like, Achilles bitch mother who spends most of the story trying to separate our Yaoi Boys (iirc her disguising Achilles as a girl and hiding him on Scyros is made to be more about getting him away from Patroclus than trying to save her son from his prophesied doom in the Trojan War) until she sees how much they loooove each other and I think helps Patroclus' spirit get to the afterlife or something in the end?

-This is more of a personal taste gripe but it has that writing style I loathe where the prose feels less like a story and more like an attempt to string together Deep Beautiful Hard Hitting Poetic Lines that will look great as excerpts on booktok (might predate booktok but same vibe). It's all very Pretty and Haunting and Deep but feels devoid of real substance.

I really like The Iliad and The Odyssey in of themselves. They're fascinating historical texts that give a window into how 8th century BC Greeks told their stories, saw their world, interpreted their ancestors, etc. And genuinely I think these texts have 'good' characters, there's a lot of complexity and humanity to it.

WRT the Iliad- all of the main Achaeans are pretty fascinating, the one singular part where Briseis Gets To Talk and laments her situation is great, Achilles fantasizing that all of the Trojans AND the Achaeans die so he and Patroclus alone can have the glory of conquering Troy (wild), Achilles asking to embrace Patroclus' shade and reaching out for him but it's immaterial (and the shade being sucked back underground with a 'squeak' (the squeak kinda gets me it's disturbing and sad)), Hecuba talking about wanting to tear out Achilles' liver and eat it in a (taboo, exceptioally pointed) expression of rage and grief for his mutilation of her son's corpse, just one tiny line where the enslaved women performing ritual wailing for their dead captors are described as using it as an outlet to 'grieve for their own troubles' is heartrending, etc. A lot of grappling with anger and grief and the inevitability of death, a lot of groundwork laid for characters that could be very interesting when expanded upon in the framework of a conventional novel.

And Song Of Achilles really doesn't do much with all that. I know a lot of my gripes here are kind of just "It's different from the Iliad", I would have thought of it as mostly mediocre and forgettable rather than infuriating if it wasn't a retelling (and I DEFINITELY have strong biases here). But I think the ways in which it is different are less just a product of a retelling (of course there's going to be omissions and differences) and more a complete and utter disinterest in vast majority of its own subject matter, to the book's detriment. I think a retelling has a point when it EXPANDS on the source, or provides a NEW ANGLE to the source. This book doesn't Really do either, it just shaves off the complexity of its source material, renders the characters into a really boring archetype of a gay relationship, and gives very little else. Its content boils down to a middling tragic romance that has been inserted into the hollowed out defleshed skeleton of the Iliad.

Bottom line: I definitely would not be as mad about it if I wasn't familiar with the source material but I think it's fair to expect a retelling to Engage with/expand on its source, and I also think it's weak purely on its own merits. This book was set up to disappoint Me specifically.

[puppyeared]

its so hard to watch time pass when things like careers and assignments exist. what do you mean im supposed to take that seriously

[if-we-are-free-tell-me-why]

every time I hear someone say "oh you have to listen to Dear Evan Hansen it has such good mental health representation" I cry in Next to Normal

[therentyoupay]

im completely feral over all your jelsa stories!!!!!! do you ever write established relationship jelsa or have any headcanons about what they would be like together in a serious relationship or marriage????

THANK YOU SO MUCH. 😭😭😭😭😭😭💕💕💕💕🙏 thank you thank you nonny for this super sweet ask and this really lovely question and all of your love and support!! 💕💕💕💕💕

i have... never actually written established!relationship (in any fandom), now that i'm thinking about it? that said, i guess i can come up with a quick list of some headcanons, maybe? 😂 i will have to think about this more, but for now, here's a quick drop:

elsa is an early riser; elsa helps jack create more sustainable sleeping patterns and habit formations 😂

when jack gets Impetuous Urges to Do Something Rash and Impractically Spontaneous, elsa will ground jack, reminding him to think before acting. (he occasionally Still Does It, anyway.) elsa knows what she signed up for, lol.

jack loves to play Harmless(!) Pranks, just to watch elsa’s reaction. (he is no longer allowed to sneak up on her after The Incident).

they also quibble over the definition of "harmless" and the specific logistical implications of that; for a while, jack was banned from further pranking, but then he got more creative at showing elsa that pranks could be wholesome and genuine, in which they could both be in on the joke. however, due to elsa's deeply-rooted Need to Excel and her (Not-so)Secret Competitive AF Streak, her retaliation in escalating the Cleverness Prank War quickly resulted in jack's prompt implementation of the Prank-Free Zones and Time Periods. (no, he was not scared.)

elsa, usually reserved, has learned to let her playful side show more often with jack. she might still pretend to be exasperated by his antics, but sometimes it's part of the game (or habit).

elsa sill struggles with opening up emotionally sometimes, but she progressively feels safe enough to share her innermost thoughts and fears. with time, she confides in him more about her worries. she still never likes the idea that jack sees her Imperfect Parts, but at least she can tolerate the discomfort (and, yes, take comfort in it) now

(jack loves elsa's Imperfect Parts, and jack admits that he is Weirdly Proud and Competitively Honored to be one of the only people, even including anna, who gets to see them. he also is strangely Comforted and Validated that elsa is, in fact, not perfect because for a while there, he was pretty freaked out and intimidated by how fancy she is.)

until he realized that no one ever let her actually be a Weirdo before, and once he realizes the Truth of Elsa Also Being a Secret (albeit perhaps more Subdued) Weirdo, the Universe Aligns.

jack listens to elsa's Big Conversations intently, activating varying levels of Serious Mode.

jack is getting better at recognizing the moments when elsa needs him to play and needs him to listen or Give His Opinion or any combination of those things.

jack learns that it's not always about Saying the Right Thing (which he is not very good at, anyway, or so our Serially Unreliable Narrator thinks), but rather being able to read elsa's mood and anticipate what she might need (even if she is not aware of it herself yet).

elsa is meticulous about planning and preparing for special occasions.

elsa likes traditions! jack likes tradition only because elsa likes them, lol, and hey, okay, these are more fun than he thought?? (who knew fun could be organized??!!?)

so he really wants to show (off to) her by pulling off Incredible Planning Feats in her honor, too (they do not go as smoothly, lol).

jack will often go out of his way to spontaneously create something meaningful, a moment or a gift or a gesture, that reminds elsa that he cares. he is big on words of affirmation, gift giving (but like, souvenirs that he collects on adventures like, "i saw this rock and it reminded me of your cousin olaf, we should put it on the window after we paint his face on it"), and acts of service, as well as physical touch and quality time. HE WANTS LOVE. he wants TO BE LOVED. he wants to prove that he is worthy of being loved.

(and elsa has to get him to Chill Out sometimes, remind him that he doesn't have to Do Things For Her/Anyone in order to be deserving of care; he is more than what he provides for other people.)

(jack gets its, and appreciates it, but also, the Urge to Provide and Protect is still strong, even after so much time, and sometimes Old Habits Die Hard.)

i get the sense that he'd be the type to he wake elsa up in the middle of the night to take her on a surprise adventure, or convince her to Do a Fun Thing without any preparation (/warning).

and she would Be Alarmed at the Lack of Plan (especially if/when jack Did Not Think This Through), but he also took precautions to ward off Concerns by pacifying her with tea, or reassurances that yes, he did call ahead to make sure the restaurant was open before they left the house, of course he did, he would never just leave home without double-checking beforehand (and frantically googles it two minutes later when he thinks she's not looking; she is, naturally, and even occasionally pretends not to be).

elsa approaches conflict with a desire to resolve things Calmly and Logically. she tries to understand jack’s perspective, even when she disagrees, and she’s careful with her words, not wanting to escalate the situation.

however, she can sometimes withdraw emotionally, fearing that she might say something hurtful if she’s too overwhelmed.

jack was initially (and, honestly, still is, even though he understands more now) hurt by her tendency to shut down when she Feels Too Much, and understands (although it's still hard) that elsa needs time to process her feelings and organize her thoughts.

jack also helps elsa actually Feel her Feelings, instead of just trying to intellectualize and analyze them. (she hates it, BUT sees the value. jack lives for these moments in which he realizes that he's actually contributing positively to her life and helping her in some way, rather than just being a burden or a nuisance, as was/is his fear.)

his initial reaction might be to push for a resolution quickly, but he’s also deeply afraid of Creating Distance between them, so after the first few fights, he really makes an effort to find the right balance between Pushing Hard Enough and Not Pushing Too hard, so that he doesn't drive a wedge between them as they work things out.

jack FEELS intensely, and can be so stubborn. he does not always have the most precise vocabulary or tools to describe his thoughts and feelings, or identify the root causes of what is actually going on inside him; sometimes elsa asks a lot of insightful and guiding questions that help jack come to the conclusions himself, and other times, she Puts Into Words the very thing that he had been thinking or feeling, but could not name, and it is very reassuring to have someone who understands him well enough to be able to do that.

after conflicts or arguments, they take time to Decompress and reassure one another (especially if at least one of them, if not both, was Overthinking again).

when they argue (and healthy couples do, remember!), it’s a dance of patience and understanding: elsa might need a moment to Collect Herself, and jack learns to give her that Space while also making it clear that he’s ready to talk whenever she is, and that he is going to try very hard to be Rational and Patient About It.

in the end, they both prioritize their relationship over any disagreement, always finding a way back to each other.

[nikolas-ghostbusters-fixation]

Something I've been thinking a lot about lately is how everyone thought Egon had gone insane. What Happened that made them think that. They've fought a gigantic Stay Puft Marshmellow Man TWICE (counting the 2009 video game because iirc it's canon? Correct me if I'm wrong), fought an interdimensional god, fought a blood thirsty ruler that killed thousands and was hated by all that was trapped in a painting (and managed to get in to beat him by making THE STATUE OF LIBERTY start walking down the street with slime that reacted purely based on vibes), found an underground abandoned transit system full of the moodslime, had a bathtub try to eat Dana and her baby, fought a giant murderous black widow lady, fought the fisherman ghost who turned an entire hotel floor into the bottom of a ocean, and that's not even mentioning them getting trapped on an island that randomly raised up from underwater that had been abandoned for decades created by Ivor Shandor who worshipped Gozer. So what did he do or say that made everyone else think he'd gone insane?? All I can think is maybe he was acting strange / eratic before, but he's always been like that to some degree.

I don't know. It's something that I've been thinking about. The correct answer is 'it's not that deep and they needed a reason that the others weren't together anymore and weren't aware of Egons death or know what was going on,' but also. What Was He Saying that prompted everyone, including Ray, to think he lost his mind when he'd been right almost every time before that.

I'm genuinely so curious as to what he was up to before this. What was he doing. What insane idea was working on prior to this or was he even working on anything at all??

Also want to clarify this post isn't negative 😭 I really love the newer movies and their lore / the newer storyline / characters, I just like thinking about small stupid things like this. Gives me something to think about / speculate about / figure out an answer to.

[fandom-geek]

ngl i've been kinda surprised by the lack of veilguard stuff i've seen on my dash since it released - i've very thoroughly given up on it, but even ppl who seemed hyped about it have largely just... not been posting abt veilguard at all.

then i looked in the da critical tag and, uh, yeah. i can understand why. it's not an actively bad game, but it sounds to be very... shallow and mcu-ified? i'll admit i had basically given up on veilguard, but i did kinda want bioware to prove me wrong. not that i would've bought it anyway given the way they've treated their company veterans. it's just such a shame.

[varilien]

Not a horror movie, but SOMA is a really good game that could work for a heartbreaking Trigun AU. For an actual movie rec, Dark Water (2002) is a good one.

okay forgive me because i've seen the remake of dark water from 2005 n while i imagine there are some significant differences between iterations, i'm gonna say i get the gist of it, but.

so i realize i've never actually spoken at length about my own trigun college au over here and since the fic is in my drafts indefinitely this is WILDLY out of context but like. i never actually landed on a backstory for vash and knives, i figure that true to canon vash has a lot of holes in his memory and knives won't fill those in for him so this sort of thing wouldn't really come up in the story, and as far as vash is aware life might as well have started when rem adopted them

it's nicer than knowing, anyways

[unknownarmageddon]

Nightmare plays a relevant part in it btw so

Nightmare hears news that her brother has found and taken in XGaster's doomsday device and is trying to make it dormant, so she sends Killer to go get it. Neither of them realize that he's a person, so kidnapping him gets much harder. Once taken to Nightmare, it's basically a series of trying to figure out Cross' triggers and how to "work him" as well as a series of fights between Cross and Killer and also Cross trying to convince Killer to escape Nightmare with him.

Cross' like. Doomsday activation look- I drew it, but basically, he sorta melts and there's like magic smoke burning off him. So activation would like. Kill him. And it starts melting him a bit if he gets riled up.

And I got this idea from Wreck it Ralph

OHHHH oh that fucking rules actually holy shit. so so rad AUGH